Sequel - Harry Chapin
Tuning: , E A D G B E
Sequel
Words and Music by Harry Chapin
So here she's
actin' happy
Inside her han
dsome home
And me, I'm fl
yin' in my tax
i,
Takin' tips an
d gettin' ston
ed.
I got into tow
n a little ear
ly.
Had eight hour
s to kill befo
re the show,
First I though
t about headin
g up north of
the bay
Then I knew wh
ere I had to g
- -
o.
I thought abou
t taking a lim
ousine
Or at least a
fancy car.
But I ended up
taking a taxi
'Cause that's
how I got this
- -
far.
You see, ten y
ears ago it wa
s the front se
at
Drivin' stoned
and feelin' n
o pain.
Now here I am
straight and s
ittin' in the
back
Hitting Sixtee
n Parkside Lan
- -
e.
(C - -
- - - - - Bm7)
The driveway w
as the same as
I remembered
And a butler c
ame and answer
ed the door.
He just shook
his head when
I asked for he
r
And said "She
doesn't live h
ere anymore."
- -
But he offered
to give me th
e address
That they were
forwarding he
r letters to
I just took it
and returned
to the cabbie
And said "I go
t one more far
e for you."
( - - )
And so we roll
ed back into t
he city
Up to a five s
tory old brown
stone
I rang the bel
l that had her
name on the m
ailbox.
The buzzer sai
d somebody's h
ome.
(finger picked, not strummed)
(D7 - - - - - )
And the look o
n her face as
she opened the
door
Was like an ol
d joke told by
a friend.
It'd taken ten
more years bu
t she'd found
her smile
And I watched
the corners st
art to bend
And she said,
"How are you H
arry?
Haven't we pla
(
yed this scene
b
(
efore?"
I said "It's s
o good to see
you, Sue
Had to play it
out just once
more."
Play it out ju
st once more.
- - - - - -
She said I've
heard you flyi
ng high on my
radio
I answered "It
's not all it
seems"
That's when sh
e laughed and
she said, "It'
s better somet
imes
When we don't
get to touch o
ur dreams.'
(finger picked, not strummed)
( - - - - - )
That's when I
asked her wher
e was that act
#
ress
She said "That
(
was somebody
el
(
se"
And then I ask
ed her why she
looked so hap
py now
She said "I fi
nally like mys
elf, at last I
(
like myself."
- - - - - -
So we talked a
ll through tha
t afternoon
Talking about
where we'd bee
n
We talked of t
he tiny differ
ence
Between ending
and starting
to begin.
We talked beca
use talking te
lls you things
.
Like what you
really are thi
nking about.
But sometimes
you can't find
what you're f
eeling
Till all the w
ords run out.
(E - - - - - - - Bm7)
So I asked her
to come to th
e concert.
She said "No,
I work at nigh
t."
I said, "We've
gotten too da
mn good at lea
ving, Sue"
She said, "Har
ry, you're rig
ht"
(finger picked, not strummed)
- - - - -
Don't ask me i
f I made love
to her
Or which one o
(
f us started t
(
o cry
Don't ask me w
hy she wouldn'
t take the mon
ey that I left
If I answered
at all I'd lie
.
- -
- - - - -
So I thought a
bout her as I
sang that nigh
t
And how the ci
rcle keeps rol
ling around.
How I act as I
'm facing the
footlights
And how she's
flying with bo
th feet on the
- -
ground
I guess it's a
sequel to our
story
From the journ
ey 'tween heav
en and hell
With half the
time thinking
of what might
have been
And half think
in' just as we
- -
ll
I guess only t
- - - - -
ime will tell.