I took this from the previous guy (no offense, his lines were all screwed up so I 
fixed it) so don't thank me thank him (:

Panic At The Disco - I Write Sins Not Tragedies


[Intro]
(It's meant to be Drop D but it really doesn't matter if you're just playing 
the intro this way.)
Can be played through the verses if duetting.

E|------------
B|------------
G|-------5---4
D|-----2---2--
A|---0--------
D|------------

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--------------
--------5---4-
-----2----2---
---0----------
--------------

--------------
--------------
------5--4----
----2---2-----
--0----------0
--------------

--------------
--------------
---5--4-------
-2---2--------
--------------
--------------

--------------
--------------
--------------
--------------
--------------
--------------

-----|
-----|
-----|
-----|
-----|
-----|

E|------------
B|-------3----
G|-----5---5-4
D|---4--------
A|------------
D|------------

--------------
--------3-----
------5---5-4-
----4---------
--------------
--------------

--------------
-------1---1--
-----4---4----
---3----------
--------------
--------------

--------------
-----1---1----
---4---4------
-3------------
--------------
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-----|
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[Verse 1]


Oh, well imagi

ne, as I'm pac

ing the pews i

n a church cor

ridor, and I
            
can't help but

              
 to hear, no I

              
 can't help bu

      
t to hear an e

xchanging of w

ords:

"What a beauti

ful wedding! W

hat a beautifu

l wedding!" sa

ys a bridesmai

d to a waiter.

 (yes)
            
"but what a sh

              
ame, what a sh

              
ame, the poor 

             
groom's bride 

     (
is a whore."


[Chorus]

            
I chime in wit

             
h a "Haven't y

              
ou people ever

            
 heard of clos

    
ing a goddamn 

door?!"
            
No, it's much 

             
better to face

            
 these kinds o

              
f things with 

           
a sense of poi

se and rationa

lity.
            
I chime in wit

             
h a "Haven't y

              
ou people ever

            
 heard of clos

      
ing a goddamn 

door?!"
            
No, it's much 

             
better to face

       
 these kinds o

f things with 

a sense of...


[Verse 2]


Oh, well in fa

ct, well I'll 

look at it thi

s way, I mean 

technically ou

r marriage is 

saved
            
Well this call

              
s for, a toast

     
 so, pour the 

champagne

Oh! Well in fa

ct, well I'll 

look at it thi

s way, I mean 

technically ou

r marriage is 

saved
            
Well this call

              
s for a toast,

  
 so pour the c

hampagne, pour

 the champagne


[Interlude]

   


[Chorus]

            
I chime in wit

             
h a "Haven't y

              
ou people ever

            
 heard of clos

      
ing a goddamn 

door?!"
            
No, it's much 

             
better to face

            
 these kinds o

              
f things with 

           
a sense of poi

se and rationa

lity.


[Bridge]

      
Again...


[Chorus]

            
I chime in wit

             
h a "Haven't y

              
ou people ever

            
 heard of clos

      
ing a goddamn 

door?!"
            
No, it's much 

             
better to face

            
 these kinds o

              
f things with 

           
a sense of poi

se and rationa

lity.
            
I chime in wit

             
h a "Haven't y

              
ou people ever

            
 heard of clos

      
ing a goddamn 

door?!"
            
No, it's much 

             
better to face

            
 these kinds o

              
f things with 

           
a sense of poi

se and rationa

lity.


[Optional Outro]

            
No, it's much 

             
better to face

            
 these kinds o

              
f things with 

            
a sense of